Directed by Paul Verhoeven. 129 mins.
Worth my time? Yes. (Seen at Arclight Hollywood)
While waiting for the screening to start, some dingus behind me remarked, “Starship Troopers is my favorite so-bad-it’s-good movie.”
No, no, no. Starship Troopers is a great film without qualification, and it’s a bummer to know that the film continues to go right over some folks’ heads.
At the risk of bestowing undeserved praise upon it, Troopers is the closest film to Dr. Strangelove to come out of the 90s. Those who are quick to point out the many over-the-top moments and campy dialogue (which often feels more at home in a teen romantic comedy) completely miss the forest for the trees. While the movie follows the same premise as Robert A. Heinlein’s arguably pro-fascist novel of the same title, Verhoeven screenwriter Edward Neumeier adapted Troopers to be a rebuke of its own source material. Neumeier, who previously wrote Verhoeven’s classic RoboCop, injects nearly the same level of violence, hilarity, and cynicism into this darkly comic space opera / soap opera.
Troopers is one of the only (and certainly one of the most interesting) depictions of a post-racial, post-gendered society and I’ve seen on film. The movie never flat-out says that its world has moved beyond race and sex, but it’s pretty darn clear. Sadly, Neumeier’s future is far from rosy, and the erosion of oppressive constructs is made possible only by the development of even more rigid ideas of “the other.” All of humankind is split between common “civilians” and “citizens,” the ones who wield political power – essentially all power as industry and communication appear state-run. This world remembers democracy and individual rights as failures, and war is the institution on which all else is built.
The caste system divides humanity, but the threat of the Bugs unites it. Despite the jarring physical differences, both Bug-kind and humankind live for collectivism and endless war. Biology professors teach their students that in many respects (such as teir lack of ego or knowledge of death), Bugs are the superior species. Nevertheless, they are the ultimate Other and must be destroyed at all costs.
Troopers’ visuals still hold up 17 years after its release. The film is CGI-heavy but also makes use of plenty cool conventional SFX. The film’s subtext and visuals are the real stars – none of the players are particularly engrossing apart from the always-fun Michael “Richter” Ironside. Then again, the likes of Casper Van Dien and Denise Richards aren’t exactly famous for their acting skills.
Aside: Troopers invented “clickbait” about 15 years before the real thing appears. Would You Like To Know More?
(Seen and written on 2014-03-27)