Directed by Nicolas Winding Refn. 90 mins.
Worth my time? Yes. (Watched on Amazon Instant Video)
Only God Forgives has been trashed pretty unanimously among critics, and in light of this fact, I feared that the film would be to director Refn what To The Wonder was to Terrence Malick, who had previously been batting one thousand. The film doesn’t come close to matching the stripped-down brilliance of Drive, but I found it to be enigmatic and engrossing. Mark me down in the “dissent” camp.
The film’s poor reviews are right to bemoan the film’s often glacial pacing, but I suspect the negativity was also influenced by the audience’s desire to see another Drive. Refn didn’t make it for them – instead, he made a spiritual follow-up to David Lynch’s Inland Empire. I guess Nic got tired after waiting six years and counting for another Lynch. If you want to get anything done…
All of the trappings are here: the long pauses riddled throughout dialogue scenes, the femme fatales, the macabre criminal underworld and psychotic characters, and plenty of singing in nightclubs. Even the score by Cliff Martinez carries the influence of Angelo Badalamenti in its notes. Much like Inland Empire, Only God Forgives is a movie that the viewer shouldn’t try to “solve” in a sitting. After all, if you dissect a frog, you’ll understand why it works, but then again, ya killed it.
My recommendation – view the film when you’re already drowsy, and let the nightmare wash over you.
(Seen and originally written on 2013-07-30)